Aeschylus' Libation Bearers

Background


See the Oresteia Study Guide for general background.

As we learned in the Agamemnon, Orestes, son of Agamemnon and Clytaemnestra, was sent to another region of Greece - specifically, to Phocis - to be in the care of king Strophius. In the Libation Bearers (this play), he is old enough to go abroad on his own; we find out that he has been to Delphi, were the oracle has instructed him in no uncertain terms to return to Argos to take vengeance on his father's killers.

In the company of his friend, Pylades (Strophius' son), he returns to Argos. But before proceeding to the palace (where he intends to slay Clytaemnestra and Aegisthus), he visits the grave of his father. There he finds his sister, Electra, and a group of elderly slave-women (the Chorus of "libation bearers," i.e., bearers of drink offerings for the deceased). Electra and the women have been sent by Clytaemnestra to bring offerings to Agamemnon's grave, to appease his ghost. That is because Clytaemnestra is being haunted by horrible nightmares - dreams that she believes are being sent to her by the angry ghost of her murdered husband.

Larger Questions

  • What connections/disconnects exist between
    • dike (justice)
    • kratos (power)
    • peithō (persuasion)
    • logos (speech, reasoned discourse)
    • praxis (the doing of something, accomplishment)?
  • Justice - dike - how does justice play itself out in this play?
    • Who is in the right? Who not?
    • How is justice achieved?

Special Discussion/Lecture Topics

"Conjuration" Scene (Penguin pp. 192 ff., lines 312 ff), "Persuasion" Chorus (pp. 208 f., lines 706 ff.)

  • How to evaluate the relationship of logos (speech) to praxis (deed)?
  • "Now the time breaks for Persuasion . . ." (Chorus in line726) - what manner of persuasion here? I.e., . . .
    • who persuading whom?
    • how?
    • why?
    • with what success?
    • with what moral evaluation?

Agon (debate scene): Clytaemnestra versus Orestes (Penguin lines 872 ff.)

  • peithō (persuasive strategies . . .)
    • What does she want Orestes to do, or not to do?
    • How does she set about trying to convince him?
    • Critique: is her peitho successful? Why or why not?
  • Dike (justice): in the final analysis, do you think . . .
    • Clytaemnestra has justice on her side?
    • Orestes?

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© Andrew Scholtz | Last modified 21 September, 2025